bluesyemre

This is the first article in an ongoing series that will examine every aspect of indie authorship and how developing relationships with indie authors and their communities can benefit both libraries and writers. We will explore why trusted names in the library business, such as Ingram, Publishers Weekly, and Library Journal support indie authors. Likewise, we will look at the efforts of libraries—from huge Los Angeles Public Library to not-so -huge Williamson County, VA—on behalf of indie authors. We will examine the forces that have led to the rise of the indie author, and since NSR is about digital content in libraries, we will look closely at how the internet, the worldwide web, and ebooks are the technologies that have made indie publishing viable in a way that vanity publishing never was.

What is an Indie Author?

Let’s first try to understand what an indie author is, and why knowing something about what makes indie authors indie helps librarians understand how to work with them.

We all know how traditionally published authors work with their publishers, or at least we have a general idea. We know that the author is supported, and to some extent directed, by an editor or several editors. The editor may guide in the development of a manuscript, that is in developing characters and plot in fiction. The editor will assure that the manuscript receives thorough fact checking and vetting in nonfiction. Every manuscript will be copy edited. The cover will be designed and executed by a professional. The book will be typeset in a pleasing font and printed on book paper. The finished book, whether printed or digital, will truly be a finished product. Whether we care for the opinions expressed or the fantasies created within, we know that the book meets what we commonly call good editorial standards.

http://www.noshelfrequired.com/the-rise-of-the-indie-author/